The Book of Esther opens with a long prologue, introducing a detailed and vivid snapshot of life in Persia. It tells us about a six-month festival honoring the mighty Persian Empire, culminating in a seven-day feast for noble aristocrats and foreign diplomats at King Achaverosh’s royal palace. The story includes a long exposition on the materials of the columns, couches, drapes, pavements, cups, decanters, and food. We then learn that in his drunken state, the king summoned the queen to present herself in front of all his guests, but she refused. Insulted by her refusal, and on the advice of his entire cabinet, he ordered her execution. The story then goes into lengthy detail about the meticulous search process for a suitable replacement and how the royal retainers trained the potential candidates in etiquette and protocol before establishing that Esther’s beauty and grace won everyone’s admiration, and she was named queen.

This is not the typical introductory structure of the stories we are familiar with. Consider that the Exodus, our most consequential story, is very short on extraneous detail – a few terse sentences about the rise of a new Pharaoh who didn’t know Yosef or his family; how the new Pharaoh gradually subjugated and enslaved his Jewish subjects; and how a man from the house of Levi had a son, who would grow up to be Moshe, their savior. The backstory is set only very briefly, allowing the main story to take center stage and unfold.

So why does the Book of Esther have such a long and drawn-out prologue?

The Chasam Sofer suggests that the main story is all too familiar to us – שֶׁבְּכָל דּוֹר וָדוֹר עוֹמְדִים עָלֵינוּ לְכַלּוֹתֵנוּ וְהַקָּדוֹשׁ בָּרוּךְ הוּא מַצִּילֵנוּ מִיָּדָם. The main story’s abstract is that there was an existential threat, so the Jews turned to God for help, crying, fasting, and praying, and God ultimately listens to their pleas for salvation.

Yet what’s makes this particular version different is precisely that long prologue.

This story marks a paradigm shift – the end of an age of miracles and prophecy. God does not appear in this story, and His guiding hand is only apparent to us, the readers. But while we can probably recognize God’s hand influencing the story’s main events, we can also spot it in the long prologue. Before the main story had even begun, God’s hand is evident to us, arranging all the pieces for the endgame.

We should also recognize that the festival and party the story opens with were a national victory celebration of conquest; the Persian Empire had just conquered Israel and exiled the Jews, and many of those very Jews participated and partook in this party! While we might reasonably expect God to have some compassion for contrite Jews desperately praying to be saved, could we so reasonably expect God to be delighted with Jews joining a celebration of their own downfall and the loss of the Holy Land? And yet, this story so clearly tells us that God was watching in those moments as well, long before the Jews turned to Him and long before there was a threat or any semblance of structure to the story yet to unfold.

Our sages identify Haman with Amalek, the eternal foe, whose primary weapon is chance and chaos. Haman attempted to co-opt chaos by using a lottery, a game of chance, to identify an auspicious day for a genocide.

But not only did the lottery fail, but the chaos Haman attempted to weaponize was also his undoing – Mordechai broke the law and refused to bow, and Esther broke protocol when she went to the king with no summons; both articulations of chaotic good. One of the Purim story’s clear morals is that chaos and chance are forces within God’s ambit and purview.

In a sense, it’s actually the very first thing we know about God from the very dawn of creation; that God exists amid a formless void and then organizes that chaos into the order of creation – וְהָאָרֶץ הָיְתָה תֹהוּ וָבֹהוּ וְחֹשֶׁךְ עַל־פְּנֵי תְהוֹם וְרוּחַ אֱלֹהִים מְרַחֶפֶת עַל־פְּנֵי הַמָּיִם. It’s the mistake Haman made, and it’s the heresy of Amalek; Amalek’s observation that the world looks coincidental and random is not wrong, but the conclusion is. Things may look a certain way, but things aren’t truly how they appear – which happens to be exactly what the custom of dressing up expresses.

The Ishbitzer suggests that this also underlies the custom of drinking to intoxication on Purim to the point we can’t distinguish between Haman and Mordechai. By letting go of knowledge as an empirical process, we abandon any semblance of order or structure and embrace chaos; we know from the Purim story that before anything and everything, that not only can we find God in the chaos, but that chaos has served God’s purposes all along – there is simply no way it could ever pose a threat.

The lesson the Book of Esther has to teach us is in the details of the long prologue – the chance and the trivial are all in play for God’s masterplan; us knowing readers get to recognize how all the stars aligned to set the story up for its ending long before the story had even begun. God may appear distant, but He’s there if we’re looking.

But, as we learn from the long prologue, He’s there even when we’re looking away.

When you think about the most exciting parts of the Torah and Judaism, the cold hard truth is that the book of Vayikra probably isn’t on too many people’s highlight reels. It’s hard to get too worked up about the census; the architecture, construction, and layout of the Mishkan; the sacrifices; the holidays; Shemita and Yovel; and the other miscellaneous sections that don’t seem to fit anywhere else.

Of course, that’s not to say that they’re not important – they absolutely are. But unlike, say, most of Bereishis and Shemos, it’s not story or character driven, so the lessons and morals are much less obvious.

The Torah offers a beautiful exposition of blessings and bounty that follow from observing the Torah, and a gruesomely detailed description of all the terrible things that might befall the Jewish People should they fail to uphold the law properly.

What immediately follows this grim reading is an abrupt change of tone, a ponderous section about the valuation of pledges – Parsha Archin.

When the Mishkan and Beis HaMikdash stood, they maintained a public fund for operations and maintenance, which people could contribute to. Aside from cash, people could pledge property; animals; and interestingly, humans. There are volumes of tomes that discuss the exact parameters of how it works, but essentially, all individuals have a particular value, so donating a person would entail calculating their value, and simply redeeming that value by contributing the equivalent amount to the public fund.

We could make peace with the notion that the Torah is like all things; some parts are more interesting, and some less. Some parts are impactful stories, and some parts are technical and arcane laws. But what if it isn’t, and there is a flow to the apparently miscellaneous appendices?

The Ishbitza suggests that if we find the technical details of the census, architecture, and sacrifices riveting, the Torah showers us with blessings, which is great.

But if instead, our eyes glaze over, and we become disenchanted with the arcane technicalities the Torah charges us with, the intimidating future the Torah predicts for us is that our world will fall apart with curses and suffering.

It is precisely this doom and misery that the Torah addresses by giving us the laws of valuations here.

The Ishbitza suggests that the idea of redemption should be understood more broadly. Faced with a disheartening list of punishments, the Torah tells us that all is lost; people are still worth something.

All humans have a fundamental and intrinsic inalienable worth that can never be destroyed.

Sukkos is the festival of happiness. The two prominent mitzvos of Sukkos are sitting in the Sukka and shaking the Lulav and Esrog.

What do these laws have to teach us about happiness?

The Ishbitzer notes that the mitzvah of Sukka is passive, fulfilled by sitting or sleeping; whereas the mitzvah of Lulav and Esrog is performed by actively gathering the items and waving them.

We have innate abilities we are passively born with, but there are also things we actively acquire through perspiration and perseverance.

This active/passive framework sheds light on various nuances in how we observe these laws. A stolen lulav does not fulfill the mitzvah; whereas there is no such thing as a stolen Sukka – you cannot embezzle something innate. It similarly follows that on Shabbos, the day we curtail creative activity, we observe Sukka, but not Lulav – all our creative activity can only hope to succeed with God’s blessing.

R’ Chaim Brown notes that we must actively gather the Lulav and Esrog, which is traditionally understood to symbolize the different kinds of Jews – unity is not something innate that we can take for granted; we must create unity through our actions.

To the Ishbitzer, happiness is when we synthesize our active and passive skills and talents into one cohesive whole – when we appreciate the gifts we are born with, change what we can, and accept what we can’t.

While we don’t control our starting points, we do control our trajectories from there.

Existence is a fusion of time, space and consciousness, and all have associations with light.

Hashem created time. Time is measured in increments of 7, culminated by Shabbos. Shabbos is welcomed with candles.

Hashem created the universe. Within it, the earth, within it Israel, within it Jerusalem, within it the Beis HaMikdash, containing the Menora. This relates to space.

Hashem created life. Within it, the human race, within it the nation of Israel, within it Levi, within it the Kohanim, and ultimately, the Cohen Gadol, whose job includes lighting the Menora.

The light is symbolic of Hashgacha Klalis, Hashem’s supervision in a general sense, over all things. But on Chanuka, we light individual lights, each person for themselves. The light is lit at the door, indicating that our comings and goings, our entire lives, are for the sake of Heaven.

What Chanuka changed was that we show that each person can have connection, a Hashgacha Pratis. We just have to seek it out.

In parentheses, the Ishbitzer adds that there are three mitzvos that are disqualified if they are too high; Sukka, Eruv and Menora. They respectively relate to space, time, and consciousness. They have to be related to in a personal, individual way, and Chanuka shows the way.

One of the daily features of the Mishkan service was the service of preparing and lighting the Menora. The Torah highlights that Ahron took the ceremony deeply seriously:

דַּבֵּר, אֶל-אַהֲרֹן, וְאָמַרְתָּ, אֵלָיו: בְּהַעֲלֹתְךָ, אֶת-הַנֵּרֹת, אֶל-מוּל פְּנֵי הַמְּנוֹרָה, יָאִירוּ שִׁבְעַת הַנֵּרוֹת. וַיַּעַשׂ כֵּן, אַהֲרֹן–אֶל-מוּל פְּנֵי הַמְּנוֹרָה, הֶעֱלָה נֵרֹתֶיהָ: כַּאֲשֶׁר צִוָּה ה, אֶת-מֹשֶׁה – Speak to Ahron, and say to him; “When you rise to light the Menora, light seven candles.” Ahron did so; he lit the candles on the Menora, just as Hashem had commanded Moshe. (8:2-3)

But if you think about it for a minute, it’s a little odd to say that Ahron followed his instructions – וַיַּעַשׂ כֵּן / כַּאֲשֶׁר צִוָּה ה. What is so noteworthy about doing what he was supposed to do – how else would he light the Menora?

Picking up on this strange remark, Rashi quotes the Sifri that Ahron performed his duties scrupulously, precisely the way he was told for the rest of his life, and never changed or deviated in any way.

R’ Simcha Bunim of Peshischa notes that as much as the comment is about Ahron not changing how he performed his duties, it’s equally a comment about how his duties didn’t change him. Some people let privilege and honor get to their heads – but not Ahron.

The Sfas Emes notes that lighting the Menora wasn’t a particularly prestigious ceremony, in that any Kohen could kindle the lights; but Ahron took it seriously enough that he insisted on doing it himself every day for the rest of his life.

Mastery is typically boring. Finishing your fiftieth marathon is probably less special than your first.

It’s normal.

The Ishbitza notes that the highest praise for Ahron is that he retained that initial desire, and it never got stale or boring for him. He kept challenging himself to find something new and exciting, so he lit the Menora his last time with the same enthusiasm as the first.

The more we experience something, the more our enthusiasm and attention typically wane. Predictability and comfort put an end to fresh euphoria; when we know what to expect, our excitement wears off and boredom sets in. That’s why we need to keep things fresh if we’re focused on a long term project or goal.

It’s something often seen with young professional athletes who lose their way – they think they’ve made it, and stop putting in the work that would take them to the elite tier; and the older pros all comment that the youngsters have lost their concentration and focus.

The highest form of mastery is in valuing each repetition and finding the novelty and excitement in it.

By being fully present in each moment, and devoting your undivided attention, things won’t get boring.

On the Seder plate, there is a designated section for an egg. All the sections have a more obvious role; but the egg’s place is less clear.

The Ishbitzer teaches that the egg is symbolic of the nascent Jewish nation; like an egg requires nurturing and warmth to hatch, so the newly formed nation was, on its way to “hatching” at Mount Sinai, upon receiving the Torah.

The Rema says that this is the very same egg as on 9 Av, and points out that the fast of 9 Av will always be on the same day of the week as the first night of Pesach. But there is more to it than that.

Avraham was told his descendants would be enslaved in Egypt. When they left Egypt, the Torah recounts how וּמוֹשַׁב בְּנֵי יִשְׂרָאֵל אֲשֶׁר יָשְׁבוּ
בְּמִצְרָיִם שְׁלֹשִׁים שָׁנָה וְאַרְבַּע מֵאוֹת שָׁנָה – the settlement of the Jews in Egypt lasted 430 years (12:40). Not commonly cited, is that “only” 86 of the years spent in Egypt were spent in slavery, which Miriam’s birth marked (hence her name, meaning “bitter”). The early departure was forced because the Jews were mired in the depths of decadence, the 49th level of impurity, beyond which they could not be saved. They had to leave early, if they were ever to leave.

But this means that only one fifth of the prophesied 430 years of slavery was spent in actual slavery. This is slightly hinted to when Yosef interpreted the butler’s dream, where he described how he’d squeezed grapes for Paroh. In the dialogue, the word כוס appears four times. Figuratively, Yosef announced that when the cup was squeezed into, he would walk free, and the same with the Jews in Egypt, that when they were “squeezed” into the כוס – 86 – they walked free. That only one fifth of the time was served is one the explanations of the bizarre word וחמושים – also a source that many Jews did not live to escape Egypt, perishing in the darkness.

The deficit in time is 344 – the word כוס multiplied four times, the numerical value of שמד – disaster. On 9 Av, the Torah portion we read berates us and says שָּׁמֵד תִּשָּׁמֵדוּן – we owe for our early, forced departure from egypt. And on the eve of 9 Av, we eat an egg, in memory of the destruction and imperfection of the world.

As the Rema says, this is the very same egg as on 9 Av. We left early, but leaving Egypt was not the perfect redemption, which we still await. We remind ourselves of this with the egg we eat before 9 Av.